Tuesday, November 30, 2010

Artist Statement

As a filmmaker, I believe that everyone can be irreversibly affected by witnessing the visual storytelling of a powerful film. It is not my goal to make every project revolutionary, though I take pride in finding the nuanced intricacies in everyday occurrences to expose to the viewer. As an artist, a filmmaker has the ability to cover such a great expanse of ground from abstract creation to brilliantly appointed capture of a moment in time. When I look at all of the other careers that cause people to simply repeat tasks that have become rote, I can’t help but feel a strong sense of affirmation in my choice to continue my love affair with filmmaking.
I am currently most drawn to capturing those rare moments in time where emotion lives strongest. I have recently discovered an affinity for light as a gateway through which a subject can be enhanced or modified. Music is an important source of inspiration that I have recently begun to employ as part of the storytelling process. I am interested in utilizing cutting-edge technology to photograph in a way that no one has in the past. I enjoy collaboration with other creative minds from other disciplines to combine our abilities in an effort to create something new and prolific.
For the past year, I have been studying the art of composition, and I find that it is a learned skill as much as an innate ability. I have been experimenting with more abstract techniques than most would find acceptable, but I find that some of the most conventionally- pleasing images arise from abstract means. While I have yet to define my own style, I am learning to appreciate how the style of others is carried over from project to project. It is my goal to continue to study film in an effort to find my own muses that will aid my quest for artful filmmaking, but until that day comes, I will enjoy the honor of working in one of most interesting career fields out there.

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Cinematography Reel

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Monday, November 1, 2010

Portrait of a Place

This past weekend, I photographed the University of Alabama campus over fall break. During the fall, football brings hundreds of thousands of people to the campus, however, when football is removed from the equation, the campus becomes a ghost town. I found this particularly interesting, and after shooting my portrait of a place, I took a great deal from seeing this massive campus literally abandoned for the weekend. Though I have not gained feedback from my peers yet, I was able to view several of my classmates' works. After viewing others' work, I began to understand the allure to telling a story using only visuals. The concept of visual storytelling is one that is easier to appreciate than to perform, and I look forward to becoming a better storyteller through this experience.




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SONY HVR-V1U HDV vs. JVC HM100U



When working with these two cameras, I have learned that there are advantages and disadvantages to working with every camera. Aside from menu navigation, there are many differences between the JVC HM-100U and the Sony HVR-V1U HDV. Workflow, size, media format, chip size, chip type, and camera specifications are examples of differences in these two cameras. With regard to the JVC HM-100U versus the Sony HDV, the most obvious difference is media format. Since the HDV records to miniDV, the workflow is far more tedious, and the margin of error increases. In the past, I have found miniDV capture to be a hassle, and I like to avoid using a tape deck to import footage whenever possible.The HM-100U's ability to record to SD card allows for seamless transfer of files from card to Final Cut. Another great thing about the JVC is that it accepts two SD cards at the same time, and they can be "hotswapped," or changed without ceasing to record. I prefer the JVC to the HDV for this reason, however, the JVC is not faultless. My least favorite feature of the JVC is the lone focus/zoom ring which can only control one of the aforementioned functions at a time. I find this really annoying as I like having the ability to readily adjust the two manually while shooting b-roll and scenic shots. That being said, each of these cameras can be useful in certain situations, however, I enjoy shooting on the JVC HM-100U over the Sony HDV for its reliable workflow and "hotswap" capability.

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